Birhekac: Juli 2010

Kamis, 29 Juli 2010

[N377.Ebook] PDF Ebook Violin Concerto Full Score: Butterfly Lovers (Paperback), by HE ZHAN HAO

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Sales Rank: #3068609 in Books
Published on: 1991
Binding: Paperback

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Selasa, 27 Juli 2010

[V265.Ebook] Download Ebook Fiscal Administration, by John Mikesell

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Ever wonder how federal finance really works? FISCAL ADMINISTRATION, Ninth Edition, shows you how public budgets operate and gives you the opportunity to crunch the numbers. With actual data from the U.S. federal budget, including its breakdown, you can see for yourself how policymakers allocate money. Each chapter illustrates concepts and issues with case studies from the private sector as well as from public finance. Available with InfoTrac Student Collections http://gocengage.com/infotrac.

Sales Rank: #38710 in Books
Brand: Cengage Learning
Published on: 2013-01-07
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 1.20" h x 7.50" w x 9.20" l, 2.50 pounds
Binding: Hardcover
720 pages

Features

Used Book in Good Condition

Review
"The best textbook in the market for graduate courses in public budgeting/financial management."

"The best textbook of which I know that treats public budgeting and financial administration so comprehensively."

About the Author
John L. Mikesell (Ph.D. in economics, University of Illinois) is Chancellor's professor of public and environmental affairs at Indiana University-Bloomington. His work on government finance and taxation has appeared in such journals as National Tax Journal, Public Budgeting and Finance (for which he serves as editor-in-chief), Public Finance Quarterly, Southern Economic Journal, Public Administration Review, Public Choice, International Journal of Public Administration, and Journal of Public Budgeting, Accounting, and Financial Management. He is co-author of SALES TAXATION, STATE AND LOCAL STRUCTURE AND ADMINISTRATION (Urban Institute Press). His distinguished career includes serving as chief fiscal economist on the USAID Barents Group/KPMG Peat Marwick fiscal reform project with the Government of Ukraine (1995) and as director for assistance in intergovernmental fiscal relations with the USAID Georgia State University Consortium Russian fiscal reform project (1998-99). He directed U. S. Department of State supported public administration partnerships involving institutions in the U.S. and Russia, and has worked on fiscal studies for several states, including New York, Minnesota, Indiana, and Hawaii; as consultant on World Bank missions to several countries; and as a Senior Research Fellow, Peking University-Lincoln Institute Center for Urban Development and Land Policy in Beijing. Dr. Mikesell received the 2002 Wildavsky Award for Lifetime Scholarly Achievement in Public Budgeting and Finance from the Association for Budgeting and Financial Management.

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6 of 6 people found the following review helpful.
Without math, accounting is wordy
By TJ Mc
This is the epitome of public accounting for non-accounting majors. The author laboriously rants for giant page-long paragraphs in an effort to avoid even the slightest hint of mathematics. If judicious, I believe I could distill this book down to about 75 pages of bulleted lists, charts, graphs and equations without sacrificing any real content.

4 of 4 people found the following review helpful.
Expensive & Leaning View
By spocchia
This was a required book for my master's program, and I opted for the Kindle version to save $$. There was a wide ran of information; however, I found Mikesell inserted his opinions throughout the book. I was also surprised that this edition didn't have more updated information regarding the current administration. For example, Mikesell doesn't include the current administration's performance-based budgeting strategies. Interestingly, Mikesell doesn't include much about performance-based budgeting of Bush's predecessor either, and there were significant changes during the Clinton administration prior to Bush's PART ever being implemented. So, overall good information but I found the implementation lacking.

3 of 3 people found the following review helpful.
Poorly written; only bought it for MPA program
By Amazon Customer
Parenthetical comments should be kept to a minimum in any book. Mikesell's book is practically written entirely in parentheses. It's distracting and makes for long, confusing, disjointed sentences. The cost of this book is exorbitant! To echo another rater: I don't understand why this book is in its 9th edition. If it wasn't for my Masters program, I would not go near this book.

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[Z733.Ebook] Download Ebook Vocabulary Cartoons, SAT Word Power: Learn Hundreds of SAT Words Fast with Easy Memory Techniques

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Sales Rank: #4565955 in Books
Published on: 1994
Binding: Paperback

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Rabu, 21 Juli 2010

[L750.Ebook] Ebook Download Soldiers Alive, by Ishikawa Tatsuzo

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When the editors of Ch�� k�ron, Japan's leading liberal magazine, sent the prizewinning young novelist Ishikawa Tatsuz� to war-ravaged China in early 1938, they knew the independent-minded writer would produce a work wholly different from the lyrical and sanitized war reports then in circulation. They could not predict, however, that Ishikawa would write an unsettling novella so grimly realistic it would promptly be banned and lead to the author’s conviction on charges of "disturbing peace and order." Decades later, Soldiers Alive remains a deeply disturbing and eye-opening account of the Japanese march on Nanking and its aftermath. In its unforgettable depiction of an ostensibly altruistic war’s devastating effects on the soldiers who fought it and the civilians they presumed to "liberate," Ishikawa’s work retains its power to shock, inform, and provoke.

Sales Rank: #1083839 in eBooks
Published on: 2015-08-28
Released on: 2015-08-28
Format: Kindle eBook

Review
"The twentieth century, and now the twenty-first, has seen brutal wars in every part of the globe. Many firsthand accounts of these conflicts have been written, but none more compelling than Soldiers Alive. . . . A landmark in war reportage."

About the Author
Zeljko (Jake) Cipris is assistant professor of Japanese at the University of the Pacific, Stockton, California.

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23 of 23 people found the following review helpful.
strangely compelling
By Mr. Thao D. Vo
this is the best war novel i've ever read. the writing is brisk, the story moves quickly, the portraits of the soldiers are powerfully lucid. this novel manages to pull off an incredible feat---it makes brutal soldiers who are war criminals seem almost sympathetic (almost). the novel makes these soldiers appear almost as if they are pawns of forces much larger than themselves. the ending chapter is the best ending chapter of any book that i've read.

4 of 4 people found the following review helpful.
An Excellent Novel of the Japanese Experience in World War II
By Robert Bolton
I purchased this novel to gain some idea of what World War II was like through the eyes of the Axis. While German and Italian writers have been available for decades, in both fiction and memoirs, there has been a surprising paucity of work from the Japanese perspective, with a few exceptions like Letters From Iwo Jima. This book is not common propaganda, however. The author, Tatsuzo Ishikawa, was a journalist embedded with an army unit that participated in the Massacre of Nanking. This experience is transplanted into the novel with a group of soldiers that have just prior to the novel's opening seen combat, and will again as they enter Nanking. Although these soldiers are not good men, nor even necessarily likable ones, it shows the haunting effect certain acts of brutality can have on even the hardest of men. To compare to the novels of an earlier war, this is a novel that carries the sentiments of Erich Maria Remarque with the imagery and random violence of Ernst Junger. On the whole, I highly recommend this novel. It is a relatively quick read and creates understanding (if not pity) for a side whose experiences are rarely noted.

0 of 3 people found the following review helpful.
Japanese soldiers lives
By John Cowsert
one perspective of Japanese soldiers

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Jumat, 16 Juli 2010

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Sales Rank: #1110693 in Books
Published on: 1998
Number of items: 1
Binding: Paperback

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0 of 0 people found the following review helpful.
Sentence Writing
By Deanna
It's well written and clear. I'm hoping this will help my low ability students.

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Rabu, 14 Juli 2010

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Today we often identify artifacts with the period when they were made. In more traditional cultures, however, such objects as pictures, effigies, and buildings were valued not as much for their chronological age as for their perceived links to the remote origins of religions, nations, monasteries, and families. As a result, Christopher Wood argues, premodern Germans tended not to distinguish between older buildings and their newer replacements, or between ancient icons and more recent forgeries.
�� But Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies—such as woodcut, copper engraving, and movable type—altered the relationship between artifacts and time.� Mechanization highlighted the artifice, materials, and individual authorship necessary to create an object, calling into question the replica’s ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged replicas lost their value as historical evidence, they found a new identity as the intentionally fictional image-making we have come to understand as art.

Sales Rank: #2146871 in Books
Published on: 2008-08-15
Original language: English
Number of items: 1
Dimensions: 10.00" h x 1.10" w x 7.00" l, 2.45 pounds
Binding: Hardcover
416 pages

Review
“A remarkably rich, learned, and�ingeniously argued�history of error, falsehood, referential confusion, forgery, and fraud in an age before fictionality.�I am utterly taken aback by both the ambition of this book and the analytical brilliance Christopher Wood displays throughout in pursuing his argument and its truly far-reaching implications.”

(Mitchell Merback, author of The Thief, the Cross, and the Wheel)

"This is a dense, challenging text that rewards the reader with both detail and new directions for research. It offers the opportunity to rethink fundamental shifts between medieval and modern modes of thought in the German-speaking world." (Matthew Heintzelmann German Studies Review)

"Wood's grasp of a pre-modern typological understanding and his recognition of a referential reading of objects is an important insight and one which will be undoubtedly influential for future scholarship. . . . The range of material on which Wood draws is extraordinary, as is the command of his sources and the rigour and originality of his thinking. All make for consistently fascinating reading. Wood's style combines sections of strenuous abstract theorizing with vivid narrative and descriptive exposition buoyed up by a dramatic sense of the epic in the play of historical forces . . . all too appropriate in a scholar who has brought to light the reflexive qualities of Renaissance artists. The book will become essential reading for anyone working in the field." (Andrew Morrall Journal of the Norhern Renaissance)

"Packed with visual, as well as countless epigraphic and textual examples, Wood's book rewards the intrepid reader of its over four hundred pages with a new paradigm for understanding what happened in Germany in the sixteenth century. . . . Incredibly nuanced and thought-provoking, Wood's book realigns the field and opens up new issues for Renaissance studies." (Susan Maxwell Historians of Netherlandish Art)

"In Wood's brilliant book, originality and mechanical production remain decisive factors of the transformation from the Middle Ages to the Renaissance, yet his explication of substitutional chains reconfigures the entire discipline of Renaissance studies. Wood's scintillating book will inspire anyone interested in the meaning of time and truth in history." (Bonnie Noble Renaissance Quarterly)

"Wood's study ranges widely over sculpture, architecture, prints, paintings, and various other forms of visual expression, both documentary and aesthetic. His erudition is extraordinary, as is his command of language. . . . Wood's selections of examples often act as springboards for consideration of larger categories of images and artifacts, giving his text application well beyond its focus on a particular place and period." (Susan Donahue Kuretsky CAA Reviews)

""This sophisticated, fascinating book deals with the emergence of art as a new fictional construct in 16th-century Germany. . . . An important contribution to early mdoern scholarship and a powerful conceptual revision of current theories dealing with art's emergence." (Choice)

About the Author
Christopher Wood is professor of the history of art at Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, also published by the University of Chicago Press.

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Jumat, 02 Juli 2010

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Sales Rank: #277343 in Books
Brand: Brand: Kabbalah Publishing
Published on: 2006-08-22
Original language: English
Number of items: 1
Dimensions: 1.16" h x 5.76" w x 8.38" l, 1.05 pounds
Binding: Hardcover
280 pages

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